Welcome to “With the Photographer Workbook Solution: ICSE Treasure Chest,” where we delve into the captivating narrative of ICSE English Literature Treasure Chest Part 2. Within these pages, we meticulously unravel the essence of “With the Photographer” through comprehensive workbook solutions. This post offers comprehensive answers to multiple-choice and contextual questions, deepening your understanding of this timeless tale. Meet the characters and delve into the nuances of character development and thematic exploration. Each question serves as a gateway to dissecting the text, urging readers to analyze subtle nuances and extract deeper meanings. Contextual inquiries broaden our canvas for exploration, encouraging critical engagement with socio-cultural backdrops and universal themes. Through this examination, readers sharpen analytical skills and develop a profound appreciation for literary craftsmanship. Whether a student navigating ICSE English Literature or an avid reader unraveling beloved stories, “With the Photographer Workbook Solutions” promises valuable companionship. Join us on this literary journey as we illuminate the path to understanding, one workbook solution at a time.
Table of Contents
Story Summary :
One fine day, the narrator went to a photo studio to get his photograph taken After looking at him rather unenthusiastically the photographer, a drooping but intelligent looking man in a gray suit, asked him to sit and wait. The narrator. while waiting for the photographer, read the magazines kept in the waiting room which included old editions of the Ladies Companion, the Girls Magazine and the Infants Journal. When the photographer did not come back after a long wait, the narrator felt that he had intruded into the private space of the photographer The photographer returned after an hour, and asked the narrator to come in the inner room. The narrator went in and sat down under a beam of sunlight filtered through a sheet of factory cotton cloth. The photographer rolled his camera bu was not satisfied with the narrator’s face and said that his face was quite wrong The narrator replied that he is aware of it.
At first the narrator felt happy that the photographer was empathetic to the issu of his face being full but he got angry when the photographer cut him mid-sentenc to find faults with his facial features. He kept on complaining about his head, ear and other features. The narrator exaggerates the aerobatics the photographer expecte him to do such as opening his wide mouth a little and closing it immediately. Whe the photographer continued finding faults with his face and physical appearance the narrator told him with emotion and dignity to stop complaining. He told him that it was his face and he had been living with it for forty years. After speaking harshly, the narrator started to rise from his seat; in that instant the photographer pulled the string to take the photograph without the knowledge of the narrator. The narrator asked the photographer to show his picture but the latter asked him to come back on a particular day to collect the developed proof.
The narrator returned to the photo studio on the scheduled day to see the proof of the photograph. When the photographer showed him the proof of the photograph, the narrator was utterly shocked and asked the photographer if the person in the photograph was him (the narrator). The photographer had retouched all his facial features. He had removed his eyebrows and drawn new ones and adjusted his mouth a little. He told the narrator that he had used a process called the Delphide for removing the eyebrows and putting in new ones. He had even removed the hair that was on his face. This enraged the narrator. The photographer had changed his whole appearance to showcase his professional skills. The narrator told him he wanted something that would depict his face as Heaven has given him, humble though the gift may had been. He wanted a photograph that his friends would keep with them and remember him after his death. What he wanted was not done. He asked the photographer to keep that photograph because for him (the narrator) it was a worthless bauble. The narrator left that studio with tears in his eyes.
Workbook MCQs :
1. Why did the photographer look at the narrator without enthusiasm?
(a) He did not like the narrator’s looks
(b) He was an eccentric man
(c) He was an unprofessional man
(d) All of the above
Answer: (d) All of the above
2. What was the ‘unwarrantable thing’ done by the narrator?
(a) Breaking into the private space of the photographer
(b) breaking into his studio without permission
(c) Interrupting him during the shoot
(d) Non of the above
Answer: (a) Breaking into the private space of the photographer
3. Which figure of speech is used in the line given below?
‘I knew that he was praying and I kept still.”
(a) Simile
(b) Metaphor
(c) Personifications
(d) Irony
Answer: (b) Metaphor
4. Why did the photographer twist and turn the narrator’s head and face?
(a) To get the right angle for clicking the photo
(b) To adjust them according to the narrator’s choice
(c) To insult and annoy the narrator
(d) None of the Above
Answer : (a) To get the right angle for clicking the photo
5. What has the narrator ‘always known”?
(a) The photographer was unprofessional
(b) His face was lean
(c) His face was wrong
(d) None of the above
Answer : (c) His face was wrong
6. Why was there a certain pride in the photographer’s manner when the narrator visited him the second time?
(a) Altering the narrator’s photo according to his own perception of beauty
(b) The narrator had come again to him
(c) He had finally made the narrator to agree with him
(d) None of the above
Answer : (a) Altering the narrator’s photo according to his own perception of beauty
7. Why did the narrator ask, ‘Is it me”?
(a) The photo was beyond his expectation
(b) The photo was no match to his real self
(c) The photo was a true copy of his real self
(d) None of the above.
Answer : (b) The photo was no match to his real self
8. For which of the following did the narrator want to have in this photograph?
(a) Eyes
(b) Mouth
(c) Eyebrows
(d) Ears
Answer : (d) Ears
9. What sort of face did the narrator want to have in his photograph?
(a) Exactly like his own
(b) Exactly as the photographer wanted it
(c) His face minus the flaws in it
(d) None of the above
Answer: ( For Full Answers Get The Workbook Answers PDF – View )
10. ‘I found I couldn’t use it”. What was “it” that could not be used by the photographer?
(a) The narrator’s photograph
(b) The narrator’s mouth
(c) The narrator’s eyebrows
(d) The narrator’s ears
Answer: ( For Full Answers Get The Workbook Answers PDF – View )
11. What is referred to as the “brutal work”?
(a) The humiliating visit to the photo studio
(b) The act of twisting and turning the narrator’s head
(c) The act of ‘retouching’ his photo by the photographer
(d) None of the above
Answer: ( For Full Answers Get The Workbook Answers PDF – View )
12. Choose the option that lists the sequence of events in the correct order.
1.’Oh, there’ nothing to see yet, he said, “I have to develop the negative first”.
2. When the photographer came out, at last, he looked very grave and shook his head.
3. The photographer had pulled a string. The photograph taken.
4. Go on then with your brutal work.
(a) 4,3,2,1
(b) 2,3,1,4
(c) 2,1,3,4
(d) 3,4,2,1
Answer: ( For Full Answers Get The Workbook Answers PDF – View )
13. Select the option that shows the correct relationships between statements (1) and (2)
1.I wanted something that would depict my face as Heaven gave it to me, humble through the gift may have been.
2. “No”, said the photographer, with a momentary glance at my face,” the eyebrows are removed. We have a process now- the Delphide- for putting in new ones.
(a) 1 is the cause of 2
(b) 1 is an example of 2
(c) 1is independent of 2
(d) 1 is a contradiction of 2
Answer : ( For Full Answers Get The Workbook Answers PDF – View )
Workbook Questions :
Extract 1
I waited an hour. I read the Ladies’ Companion for 1912, the Girls Magazines for 1902 and the Infants Journal for 1888. I began to see that I had done an unwarrantable thing in breaking in on the privacy of this man’s scientific pursuits with a face like mine.
(I) For whom does the narrator wait for an hour? Why? What does it suggest about the person for whom he has to wait?
Answer : The narrator is waiting for the photographer. The narrator wanted the photographer to come and click a photograph of the narrator. This suggests that the photographer had no respect for his client’s time.
(iI) What sort of magazines did the narrator read? What does it suggest about the person who has kept those magazines there?
Answer : The narrator read magazines such as “The Ladies’ Companion for 1912, the Girls Magazines for 1902, and The Infants Journal for 1888.” These magazines suggest that the person who kept them may have had preconceived notions of beauty, as the magazines likely contained idealized portrayals of women, girls, and infants from different historical periods.
(iII) What is the “unwarrantable thing” that the narrator has done? How?
Answer : The narrator had intruded on the privacy of the scientist, the photographer by asking him to click a photograph of himself and he was aware that his face did not conform to the societal standards of beauty or professionalism.
(iV) Why does the narrator say ‘with a face like mine? What does it suggest about the narrator?
Answer : The narrator says “with a face like mine” to express that the narrator was aware that his face did not come up to the beauty standard of the photographer. This shows self-awareness of his faults and acceptance of the same.
(v) What were the man’s scientific pursuits? For whom does he carry out these pursuits later in the story?
Answer : The man’s scientific pursuits involve using processes like ‘Delphite’ and ‘Sulphite’ to alter the appearance of his subjects to conform to his beauty standards. Later in the story, he carries out these pursuits to alter the narrator’s photograph.
Extract 2
The photographer rolled a machine into the middle of the room and crawled into it from behind.
He was only in it a second. -just time enough for one look at me, -and then he was out again, tearing at the cotton sheet and the window panes with a hooked stick, apparently frantic for light and air.
Then he crawled back into the machine again and drew a little black cloth over himself. This time he was very quiet in there. I know that he was praying and I kept still.
When the photographer came out, at last, he looked very grave and shook his head.
(i) What does the photographer want to do with the machine? Who has asked him to do that and why?
Answer : The photographer wants to click a photograph of the subject with the machine. The narrator has come to his studio and asked to click a photo as a ‘momento mori’.
(iI) Why does the photographer remain inside the machine just for a second? What does it suggest about the photographer?
Answer : The photographer remained inside for just for a second to look at the narrator from inside the camera. This suggests that like an artist he had preconceived notions of beauty; he
did not like what he saw so he stepped out to rectify it.
(iII) When the photographer entered into the machine for the second time, why does he remain there for long time than before? Why does the narrator think that he was praying?
Answer : The photographer remains inside the machine for a longer time during his second entry because he must have been thinking about how to go about taking a photograph, he is likely adjusting the process or equipment to ensure the photographs develop properly. The narrator believes he was praying because he is taking such a long time and quietness and the solemn atmosphere make narrator thought he was praying.
(iV) Why does the photographer look very grave? What does he say after this extract about the narrator? How does the narrator react?
Answer : The photographer looks very grave because he is likely disappointed or concerned about the outcome of the photographs. He shakes his head to indicate that something is not as expected. After this extract, he photograph says that the face of the narrator was quite wrong. The narrator reacts with emotion and anxious or insecure about the photographer’s assessment. The narrator replied that “stop! this is my face and I am aware of it.
(v) What do you think about the photographer from his activities in this extract? Give a reason to support your answer.
Answer : The photographer appears obsessive or fixated on altering the narrator’s appearance to confirm to his standards and notions of beauty. This is evident from his frantic actions of tearing at the cotton sheet and window panes. This suggests a deep-seated commitment to his perception of beauty, even to the point of desperation
Extract 3
‘Stop,’ I said with emotion but, I think, with dignity. This face is my face. It is not yours, it is mine. I’ve lived with it for forty years and I know its faults. I know it’s out of drawing, I know it wasn’t made for me, but it’s my face, the only one I have – ‘T was conscious of a break in my voice but I went on – ‘such as it is, I’ve learned to love it. And this is my mouth, not yours. These ears are mine, and if your machine is too narrow – ‘ Here I started to rise from the seat.
(i) To whom does the narrator say ‘Stop? What does he ask him to stop? In what mood is the narrator in this extract?
Answer : To the photographer who was facing him to do facial aerobatics to rectify his (narrator’s face). The narrator is integrand at being made to do ridiculous things like open his mouth, shut in droop his ears etc. In this extract, the narrator is in a mood of emotional assertiveness and dignity.
(iI) What does the narrator say about his face? What does he mean by saying that he knows its faults?
Answer : The narrator says he knows his face and accepts its imperfections as he had been living with this face for forty years. This implies that he knows aspects of his appearance that may not align with conventional beauty standards or societal expectations.
(iII) Why does the narrator feel a break in his voice? But then how does he go about it?
Answer : The narrator was offended at the ridiculous things the photographer made him do, he got all worked up and asked him to stop and the outburst overwhelmed him and he felt a break in his voice. Despite it he continued his tirade and started getting up from his seat to leave.
(iV) What does the narrator mean by saying that he has learnt ‘to love it”? What does it suggest about the narrator?
Answer : The narrator accepted his face with all its imperfections. This suggests self awareness and acceptance of himself.
(v) The narrator asks the photographer if his ‘machine is too narrow’. What does it mean when he says so ? Do you agree with his point of view?
Answer : ( For Full Answers Get The Workbook Answers PDF – View )
Extract 4
‘Listen!” I interrupted, drawing myself up and animating my features to their full extent and speaking with a withering scorn that should have blasted the man on the spot. Listen!” I came here for a photographer- a picture- something which(mad though it seems) would have looked like me, humble though the gift may have been. I wanted something that my friends might keep after my death, to reconcile them to my loss, It seems that I was mistaken. What I wanted is no longer done.”
(i) Whom does the narrator interrupt and why?
Answer : The narrator interrupts the photographer because the latter has changed all the narrator’s feature in the proof of the photograph and was bragging about it.
(iI) Why does the narrator speak to him ‘with a withering scorn? In what mood was the narrator in this extract?
Answer : ( For Full Answers Get The Workbook Answers PDF – View )
(iII) What kind of photographer does the narrator wish to have? Was it up to the expectation?
Answer : ( For Full Answers Get The Workbook Answers PDF – View )
(iV) Why does the narrator describe his face as a “humble gift? What does it suggest about the narrator?
Answer : ( For Full Answers Get The Workbook Answers PDF – View )
(v) Give a character sketch of the narrator.
Answer : ( For Full Answers Get The Workbook Answers PDF – View )
